REV DIV LUV
Choreography: Kadence Neill (artistic thesis MA choreogaphy)
Performers: Nella Matleena, Elias Berglund, Valtteri Juvonen, Miska
Palsio, Monia Penttinen, Anniina Dyster, Katri Käpynen (artistic thesis BA Dance Art), Paria
Mohajerani, Altinay Kapsiz, Samu Kotilainen, Inka Auvinen, Li Krook
Lighting design: Katinka Ebbe
Dramaturgy: Barabas Szigeti
Scenography: Anni Hernetkoski
Costume design: Satu Muurinen (Aalto ARTS, artistic thesis)
Sound design: Ilja Pippa (artistic thesis)
Producers: Elena Kirdaite and Amanda Larsson Rabian
16 fragments, a la: Why flesh Why Standing Why Wednesday at noon Love is always when is always You
is always always always Always Always
Inquiries on vision(s) – show–ings
P(arts), and w(holes). Yes.
It will start, and then it will end.
And in-between, we’ll attend to its dying.
But that doesn’t mean we won’t have fun!
Ain’t gonna be possible to see it all… (There’s a big pillar.)
But maybe that’s the point. And the risk!
Vision(s), don’t necessarily rely upon seeing.
“The successful negotiation of holes […]
Is dependent on maintaining
A healthy respect
For what cannot be seen.” – William Pope.L
But still! there are options – choices.
Ways to collaborate with one’s own seeing.
Maybe the space behind the eyelids,
Is just as important here….
“The foundational paradoxes of the anchoritic lifestyle […]
The anchoress was simultaneously dead and alive;
The cell was both secular and sacred;
The life was both mundane and glorious.” – Michelle M. Sauer